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The Birtwhistles of Craven and Galloway |
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“Poems and Translations” was reprinted in 1812 and 1816, and the
1816 edition included a frontispiece engraved from Anna’s own artwork (see
figure 23). The composition mainly comprised allegorical references to items
in the book, including the Anacreon’s
Odes On his lyre, Cupid’s visit, The Rose and The Dove. The young girl holding the lyre would appear to be
Anna herself, the mansion in the distance Balmae, with her uncle’s sloop,
Jenny, just visible in the The European Magazine and the Attic
Chest 1812 was an important year for
Anna, publishing her second book, “The
Pleasures of Human Life: A poem”,
and joining the artistic circle in The Attic Chest was an artistic circle established in 1808 by
“society” architect William Porden, to provide an intellectually and socially
challenging environment for his precociously talented 13 year old daughter,
Eleanor. The circle took its name from a chest of Greek fir in which members
deposited their anonymous literary contributions. Fortnightly meetings were
held at the Pordens residence in |
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Figure 24 Self portraits of Anna’s
friend, the “establishment” sculptor John Flaxman |
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Anna’s closest friends were members of the family of John Flaxman, the sculptor who lived close to the Vardills, and whose household comprised John and his wife Anne, Mary Flaxman ( John’s sister) and Maria Denman ( Anne’s sister). John Flaxman was a devotee of Shakespeare, whose works he would read to family and friends in the evenings, and this may explain why Anna and her friends adopted literary nicknames from Midsummer Night’s Dream. John Flaxman was King Oberon, Anne |
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